'Reservations Need?' and 'Letters Gandhi to Hitler'


Introduction to Reservation
Reservation: Opposing and Supporting Points
Solution to Reservation or Social Difference in Society
Letters from M.k. Gandhi to Adolf Hitler


Introduction to Reservation

Reservation or Arakshan in India is a very sensitive issue. Reservation is given to certain people or categories of society, which aim is to remove the social differences in Society. Reservation is there in every department of every sector in India.
Because of reservation to several communities based on casts, candidate with merits find difficulty to get their aim, while candidates with lower merits enjoy it.
People who support it and People, who are against it, have their own reasons to support their view points. Here, we are trying to discuss it open ended and we are discussing views of both the parties against and support of reservation. This view points, we come across by discussing different persons at different forums.
Read both view points and decide it yourself. Why reservation is necessary and why it should be removed...


Reservation: Opposing and Supporting Points

Against PointsSupporting Points
Why it is even required at first place. It is just the politics of politicians to gain votes, current generations do not believe in
cast system. So, there should not be any reservation in very first place.
Certain communities in India are still backward in their social and economical status, so they require it.
Selection on the basis of meritBasis of selection should be merit only. Because of the selection are not based on merit, quality decreases and then how India will develop. And because of it, merited candidate suffer, who put lot of hard work and time but they do not get selected. While others get selected even merit much below then them.People in reserved category generally have lack of resources and have unfavorable condition because of that it is difficult for them to get merit. True development of any society is only achieved when everyone in it have chances to grow. As far as concern to decrease in quality for India as a whole, then it must be understand that talent is a thing which can be generated in someone if he/she have favorable conditions around them and have the willpower to improve them. Most of people have willpower to improve themselves, but they usually lacks in other requirements for success and talents.
So, talent and success is the function of TIME, favorable conditions, and personal willpower. So, if a system truly tries to provide favorable condition to everyone then it will not result into decrease in quality. While generally because of strong social (not necessarily economical) background, people in general category have greater chances to survive, they only fight for achieving their dream, while reserved categories because of weak social background are only fights for survival more then to follow their dream. And survival should be given at priority in comparison to the dreams. However, if one’s dreams are true, then he can get that even in reservation system.
Why don’t they believe on hard work to raise their merit? Because of reservation they become handicapped. They don’t want to do hard work, they do not study and work sincerely. Even we saw in colleges, student who came there with the help of reservation are very bad in study. Even after so many years of reservation if they can’t improve then they can never because of their mentality of getting easily selected. Then, why should general category persons suffer because of them.It is not that reserved category not do hard work, and they are any less in their mental capacity and intelligence. It is their social background and lack of resources, which make them perform poor. Ask yourself with open mind, that why reserved categories which are more in numbers than the general categories, get selected with very low percentage compare to percentage required in general category. It is simple to answer that they don’t do hard work and lack of sincerity and will power. While real answer is because of some psychological (not the mental) problems generated because of their weak social background. Once, somebody from general category said that my bie (housekeeper) is better than me, because her child will get benefit of reservation not me. But answer lies in very statement. She is your housekeeper and you are a rich person, who need reservation here, since you are rich and know many influential people so you have a greater chance of achieving higher life style. How suppose to her child can get marks more than you, because she can not give peace of mind (a very important thing to get success), education, finance to her child.
Reservation on basis of financial conditionIf reservation is for improving the poor then reservation should only be given on basis of financial condition of one. No other reservation should be allowed.Except the cases when somebody don’t have any family and living as hand-to-mouth, Financial condition usually do not prohibit anybody from getting success, if he truly try. If it was incorrect then there were no so many inspiring stories where a poor person gets rich.
Let us try to understand it with help of a scenario, 2 persons named john and David with same intelligence and hard working nature, have same exam next day. Now, somebody with the help of his gang, have slapped the David on his cheek. David knows that his exam is more important than any street fight, so he decided to study instead. But he do not able to concentrate on study because revenge is going on in his mind even though he don’t want to think about it, result is john got 90% marks while David got 65% marks in exam. Reason of this result is not less hard work and less willpower of David, it is because the psychological problem generated to David because of situation.
By telling this scenario, I am not trying to say that everyone who got less marks have been beaten by somebody, but I am saying marks does not reflect the hard work, intelligence of a person, a person can get less marks because of some psychological problems generated because of his surrounding conditions. And such backward communities are generally having weak background and have very less representation in front fields, because of most of front field represents by general category. They don’t have any business, which generally give tension in their and their parents’ mind because they don’t have any alternative carrier, which ultimately destroy the peace of mind. This creates negative thoughts around these backward category people.
And one other minor reason can be that financial condition of anyone can not be determined easily, while cast can be determined more precisely.
Reservation to creamy layer in reserved categorySome people in reserved category have good wealthy condition. They should not be allowed to get benefit of reservation.Their wealth may be increased but their social background as a whole is still weak. Problem generated because of weak social background are transferable from one generation to other, because of many reason. Like, their parents are still abusive because of their own frustration. They still don’t have any alternative successful career or businesses. Also creamy layer people can use only same reservation category, then why should other category people worry.
Is reservation only a political stunt to gain votes? Reservation is only a political stunt of politicians; otherwise people generally don’t believe in cast system.People get votes and they get selected on the basis of reservation issue that only affirms that reserved category is more in number. Even they are more in number, they are lacking in social front because of social differences in Indian society.
Do other countries have reservation? Other countries also have some social differences but they don’t have reservation, India should follow them in this.In India social differences is emerged for some kind of wrong practices and cultures, like religious duty is performed generally only by Brahmins, businesses are generally done only by Baniyas etc. These wrong practices and culture still deep down in the Indian society. Morals and principles of a person should be emerged from heart and intelligence, not by culture and practices.
When will reservation removed from IndiaInitially reservation was given only for few years but because of these politicians it seems it will never going to be removed, and it will keep dividing people.It is not removed because social condition is still not changed. Pick business or general news paper, how many people you see from reserved category mention there who are getting success. Even with larger population ratio there representation in front field is still very small. Reservation can be removed if its need removed. And the need of reservation can not be removed by reservation alone. People should help each other. If a society, stop looking only at their family and community, and helps people in need. Reserved category person helps general category person and general category person helps reserved category person. And helping do not mean to do charity, charity do not help anybody. Charity instead is a bad thing. Helping here means help them to grow, have a career, work etc. Then in such society competition among reserved category will also increase (with some respect to population proportion) and then there will be no reservation automatically.


Solution to Reservation or Social Difference in Society

  1. Ending Reservation in one day and then there will be no basis of differences in society. But Social differences will be still there, because of family, clan, influences etc. Also family name will also be there. Because of these social differences and unbalancing of influence in society, some socities will become more and more backward in respect to other society.
  2. People of different categories should help each other and then there will be no requirement of any reservation as shown in 'Aarakshan' movie. But though, this situtions seems to be idial, but it does not look practicle, it is very difficult that people's mind will be changed all of sudden, when there still the social differences in society.
  3. Use systematic way to remove social differences first.
    1. Start another Social category, say XC (i.e. Anonymous Category).
    2. To come in XC category, basic step is to change the surname of child before the age of 8th or 9th standard of schooling i.e. at age of 14 years. These surnames should be from a set of fix number of surnames (e.x. 5-10 surnames). And these surnames must not indicate religion, region, cast etc. We can use referendum or detail discussion to fix these surnames. This way a person will become legally in XC category.
    3. People having legally XC category should get reservation on some conditions. These conditions must be that for starting a legal XC category person’s father should also be of legal XC category, reason is without this a person can still get advantages of social difference of society. Second condition must be if a person get advantage of XC category, but later changes his surname which do not represent XC category, then his/her property should be taken by Government.
    4. As the ratio of XC category increases, there reservation should increases. This process keep continue till everyone come to XC, by leaving all social differences in society. Or 5% open seats remain for persons of both XC and non-XC category at last.


Letters from M.k. Gandhi to Adolf Hitler

First letter
As at Wardha,
C. P.,
23-7-'39
Dear Friend,
Friends have been urging me to write to you for the sake of humanity. But I have resisted their request, because of the feeling that any letter from me would be an impertinence. Something tells me that I must not calculate and that I must make my appeal for whatever it may be worth.
It is quite clear that you are today the one person in the world who can prevent a war which may reduce humanity to a savage state. Must you pay that price for an object however worthy it may appear to you to be? Will you listen to the appeal of one who has deliberately shunned the method of war not without considerable success? Any way I anticipate your forgiveness, if I have erred in writing to you.
I remain,
Your sincere friend,
M. K. Gandhi
Herr Hitler,
Berlin,
Germany
Second Letter
As at Wardha,
December 24, 1940
DEAR FRIEND,
That I address you as a friend is no formality. I own no foes. My business in life has been for the past 33 years to enlist the friendship of the whole of humanity by befriending mankind, irrespective of race, colour or creed.
I hope you will have the time and desire to know how a good portion of humanity who have view living under the influence of that doctrine of universal friendship view your action. We have no doubt about your bravery or devotion to your fatherland, nor do we believe that you are the monster described by your opponents. But your own writings and pronouncements and those of your friends and admirers leave no room for doubt that many of your acts are monstrous and unbecoming of human dignity, especially in the estimation of men like me who believe in universal friendliness. Such are your humiliation of Czechoslovakia, the rape of Poland and the swallowing of Denmark. I am aware that your view of life regards such spoliations as virtuous acts. But we have been taught from childhood to regard them as acts degrading humanity. Hence we cannot possibly wish success to your arms.
But ours is a unique position. We resist British Imperialism no less than Nazism. If there is a difference, it is in degree. One-fifth of the human race has been brought under the British heel by means that will not bear scrutiny. Our resistance to it does not mean harm to the British people. We seek to convert them, not to defeat them on the battle-field. Ours is an unarmed revolt against the British rule. But whether we convert them or not, we are determined to make their rule impossible by non-violent non-co-operation. It is a method in its nature indefensible. It is based on the knowledge that no spoliator can compass his end without a certain degree of co-operation, willing or compulsory, of the victim. Our rulers may have our land and bodies but not our souls. They can have the former only by complete destruction of every Indian—man, woman and child. That all may not rise to that degree of heroism and that a fair amount of frightfulness can bend the back of revolt is true but the argument would be beside the point. For, if a fair number of men and women be found in India who would be prepared without any ill will against the spoliators to lay down their lives rather than bend the knee to them, they would have shown the way to freedom from the tyranny of violence. I ask you to believe me when I say that you will find an unexpected number of such men and women in India. They have been having that training for the past 20 years.
We have been trying for the past half a century to throw off the British rule. The movement of independence has been never so strong as now. The most powerful political organization, I mean the Indian National Congress, is trying to achieve this end. We have attained a very fair measure of success through non-violent effort. We were groping for the right means to combat the most organized violence in the world which the British power represents. You have challenged it. It remains to be seen which is the better organized, the German or the British. We know what the British heel means for us and the non-European races of the world. But we would never wish to end the British rule with German aid. We have found in non-violence a force which, if organized, can without doubt match itself against a combination of all the most violent forces in the world. In non-violent technique, as I have said, there is no such thing as defeat. It is all ‘do or die’ without killing or hurting. It can be used practically without money and obviously without the aid of science of destruction which you have brought to such perfection. It is a marvel to me that you do not see that it is nobody’s monopoly. If not the British, some other power will certainly improve upon your method and beat you with your own weapon. You are leaving no legacy to your people of which they would feel proud. They cannot take pride in a recital of cruel deed, however skilfully planned. I, therefore, appeal to you in the name of humanity to stop the war. You will lose nothing by referring all the matters of dispute between you and Great Britain to an international tribunal of your joint choice. If you attain success in the war, it will not prove that you were in the right. It will only prove that your power of destruction was greater. Whereas an award by an impartial tribunal will show as far as it is humanly possible which party was in the right.
You know that not long ago I made an appeal to every Briton to accept my method of non-violent resistance. I did it because the British know me as a friend though a rebel. I am a stranger to you and your people. I have not the courage to make you the appeal I made to every Briton. Not that it would not apply to you with the same force as to the British. But my present proposal is much simple because much more practical and familiar.
During this season when the hearts of the peoples of Europe yearn for peace, we have suspended even our own peaceful struggle. Is it too much to ask you to make an effort for peace during a time which may mean nothing to you personally but which must mean much to the millions of Europeans whose dumb cry for peace I hear, for my ears are attended to hearing the dumb millions? I had intended to address a joint appeal to you and Signor Mussolini, whom I had the privilege of meeting when I was in Rome during my visit to England as a delegate to the Round Table Conference. I hope that he will take this as addressed to him also with the necessary changes.
I am,
Your sincere friend,
M. K. GANDHI

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Need of Reservations or Arakshan?

Love Breakups Zindagi (movie review)

Review Writer: Ajay Bharat
Rating: ***
Movie Tagline: "Is this your story ?", "Love in Progress"


Director Sahil Sangha's Love Breakups Zindagi is a romantic drama movie.

Jai and Naina who are in committed relationships with their respective partners, but soon they have starts to feel that they have made wrong choices for their partners. Jai and Naina meet in a wedding in Chandigarh and come closer. They both felt romantic feelings for each other but reluctant to express because they already in committed relationship. After the marriage when they come to their respective homes., they miss each other.
Then what happen tells the movie...
Will they break up with their respective partner...? Will they express feelings for each other...?

It is a nice romantic movie presents in the form of light entertainment. It try to study the popular belief that opposites attract. Jai and Naina both are in their respective committed relationships with the persons who are opposite in their nature and interests with respect to them, while Jai and Naina have similar nature and interests. Surprisingly Cyrus Sahukar, who is known for his over-acting, has given good performance as the Jai's funny friend. Diya and Zayed's performances are average. It seems Zayed have to work for his dialogue delivery skills, his dialogue delivery lack variance in pitch level and sounds flat. Apart from this, editing and sound dubbing of the movie is gone horribly wrong; it ruined the mood of movie. Music and songs are coming intermitted during the story telling in movie, songs are put at the wrong timing on scenes. Songs' voice comes so often and intermitted with their monotonic tone and mood that they ruin the scenes of films which was meant to be emotionally intense.

Good points of movie are its good and light romantic entertaining story and screenplay, while bad points of movie can be its editing and mixing of songs with scenes not with very good way, and flat way of dialogue delivery.
It would be liked by fan of light romantic movies. And it might appeal to viewers who want to see director's view about opposite attracts or not.
Reviewer Verdict: It is a one time watch movie.

Love Breakups Zindagi (Songs)

Rozaana

har pal hai jawan har lamha haseen hai
jahan hum hain wahan koi gum nahin hai
yeh jo hai jindagi khushiyon mein dubi hai
hum toh yunhi jitay hain
rozana subah leke aati hai roshni
rozana hai shaam laati dilkashi
jaagi si zindagi hai yeh gaati zindagi hai
jaagi si zindagi hai rozana..
rango ki baarishein hai aisi nawazishein hain
rango ki baarishein hai rozana..

dil chahta hai har pal muskraane ko
koi dhun haule haule gungunaane ko
jo bhi mila hai usko dost hi samjho
zindagi jashn hai jaise manaane ko
jo bhi suna usse khushkhabri jaana
woh o o khushiyon ko humne pehchaana rozaana
rozana subah leke aati hai roshni
rozana hai shaam laati dilkashi
yehi hai kahaani apni yehi zindgaani apni
yehi hai kahaani apni rozaana...
rango ki baarishein hai aisi nawazishein hain
rango ki baarishein hai rozaana..

phulon mein khushbu kaliyon mein rang jaise
hum mein hai jeenay ki ek umang jaise
umeedon ki hai buji ragini si
dil mein hai har nayi ek tarak jaise
sapano ka jahaan hai jaana pehchaano
ek naya hai sapna dekha rozaana
rozana subah leke aati hai roshni
rozana hai shaam laati dilkashi
bas hai yehi tamasha har pal hai yeh aasha
bas hai yehi tamasha rozaana
rango ki baarishein hai aisi nawazishein hain
rango ki baarishein hai rozaana......


Love Love Love

(jaage jaage soye soye hum rahe zara zara khoye khoye hum rahe
chahaton ke dil mein doobaye rahe love love love kya cheej hai) - 2
rang hawa main khushbu hai baaton mein
kitani narmi hai mausam ke haathon mein
(jaan in love love love love kyun ho jaata hai
tumko jo pata ho toh bata do main toh jaanu na) - 2

jaanu na kya yeh pyaar hai
can you feel it tell me love love

saanson mein hai jaise jazbaat se ghule
aankhon mein hai tere sapne ke bulbule
naya naya sa hai andaaz shaam ka
saara yeh samaa hai iss dil ke kaam ka
rang hawa mein khushbu hai baaton mein
kitni narami hai mausam ke haathon mein
(jaan in love love love love kyun ho jaata hai
tumko jo pata ho toh bata do main toh jaanu na) - 2

ho dhadkan dhadkan kuch gaa raha hai dil
tum jo saath ho toh behka raha hai dil
dekho dekho tumko kuch hosh bhi rahe
dil se yeh kehdo khamosh bhi rahe
rang hawa mein khushbu hai baaton mein
kitni narami hai mausam ke haathon mein
(jaan in love love love love kyun ho jaata hai
tumko jo pata ho toh bata do main toh jaanu na) - 2
main toh jaanu na love love love kya cheej hai


Chhayee Hai Tanhayee

chhayi hai tanhayee tu na jaane
saja hai yeh kyun payi kon jaane
suni hai raahein soni hai baahein suni nighaahein
(jisko hai kho jaana woh milta hi kyon hai
dil ko hai murjaana toh dil wahi kyon hai) - 2

dil dekho zara haye kya tha kya ho gaya
haye tum meharbaan thaye humshaadma thaye
mehaki thi dil ki waadiyan
ho ho chaahat bari woh aankhein rass mein dubi woh baatein
kho gayi jaane kahan
palkon ke thay jo saaye kyun ho gaye paraaye
kyun aa gayi dooriyan
(jis ko hai kho jaana woh milta hi kyon hai
dil ko hai murjaana woh khilta hi kyon hai) - 2
suni hai raahein soni hai baahein
suni nighaahein chayi hai tanhayee
kyun na jaane sajaa yeh hai kyun payi kaun jaane


Rab Rakha

rab rakha - 6
yeh khushi yeh khushi ka samaa dil mein gunji hai shehnaaiyan
yeh haseen yeh dilnasheen ek mohabbat ki hai jo dastaan
rab rakha - 6
(celebrate the feeling for a day and evening
beautiful hearts are beating love is in the air) - 2

koi puche aankhon ne aankhon se kya keh diya kya sunn liya
keh de na chup ke se dono ne hai chun liya ek saathiya
yeh reshmi se pal yeh naram si hulchul
yeh sapno ke badaal rab rakha
ho yeh hasin yeh dilnashin
ek mohabbat ki hai jo dastaan
rab rakha - 6
maahi sahguna manaaya hai bajade sang dhol shehnaaiyan
mainu mil gaya mera ranjheya te rabba khair maniyaan hayye
nachle yeh dil mera kahi da
o aaja nachle yeh dil mera kahi da saath tera bas chahida
o goriye saath tera bas chaahida
o mere naal tu aa haye o zara taal mila haye
nachle yeh dil mera kahi da
o aaja nachle yeh dil mera kahi da
tumko yun jo dekhun jaane kyun mera jiya dhadke piya
mehaki si lehaki si dehaki si main hoon piya yeh kya kiya
yeh husn aur yeh tu yeh kaanch yeh khushbu
yeh roop yeh jadu rab rakha yeh hasin yeh dilnashin
ek mohabbat ki hai jo dastaan (rab rakha) - 6

Love Breakups Zindagi (Crew & Casts)

Director: Sahil Sangha
Producer: Dia Mirza, Zayed Khan, Sahil Sangha
Screenplay: Sahil Sangha
Story: Sahil Sangha
Star Cast:
Diya Mirza As Naina
Zayed Khan As Jai
Cyrus Sahukar As Govind
Tisca Chopra As Sheila
Auritra Ghosh As Gayatri
Satyadeep Mishra As Arjun
Vaibhav Talwar As Dhruv
Pallavi Sharda As Radhika
Umang Jain As Ritu
Farida Jalal As Bijji

Rascals (movie review)

Review Writer: Ajay Bharat
Rating: ***1/2


Director David Dhawan's Rascals is a comedy movie. Sanjay is again staring in David's film after a long time. Ajay who is known for his intense roles is working in comedy movie after some time.

Chetan and Bhagat are two con men who after conning money of Anthony separately come to Bangkok. Anthony wants to take revenge on them. In Bangkok, they fight with each other and try to impress a rich girl Khushi.
Then what happen tells the movie...
Who will win the love of Khushi...? Will Anthony take revenge on them...?

Film is good one time watch movie. Film presents nothing new in movie. Same old tricks has been tried to create comedy. Two men competing and trying to woo same girl and girl is dumb beyond the believable level. But some sequences are really funny. In climax film becomes little dramatic and slapstick in comedy.

Good points of movie is its typical David Dhawan movie, some sequences are funny. While bad a point of movie is its old story, using character of dumb girl to create comedy, and its melodramatic climax.
It would be liked by fan of comedy movies and David Dhawan movie. And people who want light entertainment.
Do not compare this movie with David's many other good comedy movies which he done with Govinda, otherwise you may disappointed.
Reviewer Verdict: It is a one time watch nice comedy movie.

Rascals (Crew & Casts)

Director: David Dhawan
Producer: Sanjay Dutt, Sanjay Ahluwalia, Vinay Choksey
Executive Producer / Co-Producer: Dharam Uberoi, Sanjiv Ahluwalia
Star Cast:
Sanjay Dutt As Chetan
Ajay Devgn As Bhagat
Arjun Rampal As Anthony
Kangna Ranaut As Khushi
Chunky Pandey
Satish Kaushik
Lisa Haydon
Hiten Paintal
Mushtaq Khan

Rascals (Songs)

Rascals

gaye guzre hain gaye guzre hum dono ke dono hain gaye guzre - 2
hai chalu cheet charli hum hai lafantar do
hai luche phir bhi classy it is a wonder no
(arrey dia leke dhundho jaake nahin milenge aaj kal
hum jaise dil phenk nikamme na hum jaise rascal) - 2
(rascal ka bole jee humka rascal ka bole
o jiske jeb mein paisa babua hum uske hole) - 2 ho hole

kabhi jo hum mila le haath toh gadhi hai lapata
kabhi raste na takraaye toh woh latka nahin pataa
aise hum toh sidhay hain ji kutte ki dhum jaisi hai
chutki mein udaa de totey fitrat apni aisi hai
arrey future mein bhi dekho jaake wahi khule ge rascal
na hum jaise dith milenge na hum jaise rascal
dia leke dhundho jaake nahin milenge aaj kal
hum jaise dil phenk nikamme na hum jaise rascal

hey rascala i will fly in the air and kick you
right in the potato
you will go flying in the sky like a bird
land on the ground with massive thuda

meri duniya mein ik ladki jo humko dil nahin degi
jo ik nazar nahin dekhe toh bas tali woh le legi
aise hum toh sacchi hain ke sakti sab hi mataki hai
raste se jo pass hue toh faint hoke girti hai
woh been baja le aisi duniya karegi naagin dance rascal
na hum jaise chor hue hain na hum jaise rascal
rascal ka bole rascal ka bole rascal ka bole ji humka rascal ka bole - 2

(arrey dia leke dhundho jaake nahin milenge aaj kal
hum jaise dil phenk nikamme na hum jaise rascal) - 4


Parda Nasheen

pardaah nasheen tujhsi nahi koi kahin iss jahaan mein hasin - 2
jalim teri kurti bereham badi hai jo dhalak rahi hai halke halke
afawa si udti besharam badi hai jo behak rahi hai halke halke
nazar yeh dil ji pe ruki hai nazaare tu dikha
tu jalwa chupa ke dikha ke bahane na bana
hata de hata de pardah hata de gira de gira de pardah gira - 2
pardaah nasheen tujhsi nahi koi kahin iss jahaan mein hasin - 2
drop it work it wanna see you hit the geound

na chinmin ho na aanchal ho yahan tak na rumaal ho
walla teri kayanaat main aisa koi kamal ho
behke iraade jaisi sharaab hai
lagti kharab hai tabhi toh yeh nakaab hai
pardaah nasheen tujhsi nahi koi kahin iss jahaan mein hasin
tu jalwa chhupa ke dikha ke bahane na bana
hata de hata de pardah hata de gira de gira de pardah gira - 2

karle jo ikkan ki khushkiyan aisa koi ho jisse rakhun na duriyan aisa koi ho
pardaah yeh bewaja ab sharm na haya faaslo ka ab samaa sharafat ko bhula
hata de hata de pardah hata de gira de gira de pardah gira - 2
pardaah nasheen tujhsi nahi koi kahin iss jahaan mein hasin
shikayat kare jo lade jo nazaare tu chupa
yeh jalwa dikha ke sataa ke main nindhay nu churaa
hata de hata de pardah hata de gira de gira de pardah gira - 3


Tik Tuk

pee pee pee prem payala prem payala meetha
o prem nashe ka chheeta chheta yaahan dilon pe maare
pee pee pee prem payala prem payala khatta
o laaj sharam ka batta batta prem lagata laare
o jhooth-mooth ki aankh macholi karni hai je karle
tu tik tuk tik tuk tik tuk tik tuk gohdi chad le
phir tu tik tuk tik tuk tik tuk tik tuk ghodi chad le - 3
everybody wanna go tik tuk
ghodi chad le ..

rok na rangilay rang dikhla de apne june ka maheena laga saanson mein tapne
yaara gora karaara jal gili kili yeh kawara pahe pahe pahe chaahat ka maara aaja ho

o pal hai pakki prem ki chaki karni khoob pisaayi
hath na chhadi ishq di gaddi rakhi yaar du daai
putt hai changa phir kya panga himmat ka yeh nana
tu tik tuk tik tuk tik tuk tik tuk gohdi chad le
phir tu tik tuk tik tuk tik tuk tik tuk ghodi chad le
(pack it up pack it up you know i' m riding riding
a little bit of tik tuk i' m gonna make you alright) - 2
aankh mein dhuaa hai dhuen mein sharara
saath mein angithi tu kyun sardi mein yaara
seengh utap angithi chali chali chale baatein bhi meethi
rahe rahe rahe raatein na roothi aaja ho
raat ka chanda ek parinda josh mein le angdaayi
prem ka ratta prem ka satta door kare tanhaai
o chhod udaasi chak glassi aish karale
tu tik tuk tik tuk tik tuk tik tuk gohdi chad le
phir tu tik tuk tik tuk tik tuk tik tuk ghodi chad le
ho pee pee pee prem payala prem payala meetha
o prem nashe ka chheeta chheta yaahan dilon pe maare
o pee pee pee prem payala prem payala khatta
o laaj sharam ka batta batta prem lagata laare
o jhooth-mooth ki aankh macholi karni hai jo karle
tik tuk tik tuk tik tuk tik tuk gohdi chad le
phir tu tik tuk tik tuk tik tuk tik tuk ghodi chad le - 2
ghodi chad le .. pack it up ..


Shake It Saiyyan

right now shake it just shake it - 2
tu nain uda ke hosh chura ke baah chudha ke jaana na
tu khwab main aake nindh uda ke raat sula ke jaana na
o haule haule se khushbu bari tu bhar bhar aa baahein meri
ke rakh ke aaja doongi jola main jola
shake it saiyyan swag it out we need all the bad ladies in the floor right now
(shake it saiyyan main naach sharabi rayi aan
ho chaal pareh bhi gayi aan aa paas tu mere aa zara) - 2
shake it saiyyan main naach sharabi rayi aan
ho chaal pareh bhi gayi aan aa paas tu mere aa zara
just call me g6 baby i' m fly look up in the air baby i' m high
maybe i' m not side you know mr. hot ji i' m a party animal you know i' m a sharabi

taaron pe jaake jo hoti mulakaatein hum chand sarahane tere rakhte ji
gajra saja ke hum nakre yuh dikhate tere dil mein hum thumak ke aate ji
ho giri giri jo palke meri ho teri teri hi jaadugiri
lapat ke mujhko apni baahon mein sulaa
(shake it saiyyan main naach sharabi rayi aan
ho chaal pareh bhi gayi aan aa paas tu mere aa zara) - 2
mama let me see you drop it to the ground....
work that thing go round and round....
now shake it just shake it - 2
tu teer chala ke maar gira ke pyaar jata ke jaana na
paas tu aake pyaas jaga ke aag laga ke jaana na
ho chhuri chhrui dil pe yun chali ho chori chori main tujhpe marri
sitam yeh na kar an tu itna na sataa
shake it saiyyan swag it out we need all the bad ladies in the floor right now
(shake it saiyyan main naach sharabi rayi aan
ho chaal pareh bhi gayi aan aa paas tu mere aa zara) - 2

Soundtrack (movie review)

Review Writer: Ajay Bharat
Rating: ***


Director Neerav Ghosh's Soundtrack is a musical drama movie. It is official remake of movie "It's All Gone Pete Tong". It is claimed to be based on true events.

Ronak Kaul is an aspirant musician comes to Mumbai. Start working in his uncle club as a happening DJ of city. He also composes some songs, and wanted to open his own studio. He soon became addicted to glam life with alcohol, smoking, drugs, and continuous exposure to loud music. He starts to loose his hearing capability, which he initially ignored. One accident finally makes him complete deaf. He became depressed and cut off from the rest of world. Then he met a born deaf girl Gauri, she tries to take him out from depression.
Then, what happens tell the movie... Will once very happening and music lover guy come out of depression from deafness... what he will do with his music...

It is an inspiring story, that how deaf people can also live life normally. It gives hope and feels you good. But problem is though claimed to be based on true events but through1 the best knowledge Frankie Wilde of original film, which is represented by Ronak in remake is fictitious character. Though story may be based on some small different events, but with the acknowledgement of character is fictitious and even though it, film is presented as documentary form make u irritate sometimes. I have come across many of real inspiring stories of deaf, mute etc, on that account also, it fails to impress.
Ronak’s hallucination of his inner self, sometimes look good, it can be better if he were funnier. Camera work is not directed well, because too many close up of drug abusing scenes are shown by close-up, which after sometimes become very repetitive. Performances are good, direction is Ok, and Screenplay is not very good.

Good points of movie is its inspiring story, good performances, while bad points of movie is its documentary treatment of story, not so good screenplay and camera work, and average direction.
It is likeable by fan of serious stories, and people who want to see life of DJ and musician, and deaf mute inspiring story.
Reviewer Verdict: It can be seen once.

Soundtrack (Songs)

Coming Soon

Soundtrack (Crew & Casts)

Director: Neerav Ghosh
Producer: Sanjiv Goenka, Apurv Nagpal
Executive Producer / Co-Producer: Aditya Shastri, Venessa Roy
Star Cast:
Rajeev Khandelwal As Raunak Kaul
Soha Ali Khan As Gauri
Mohan Kapoor As Charlie
Mrinalini Sharma
Yatin Karyekar
Ankur Tewari
Anurag Kashyap
Siddharath Coutto
Manu Rishi

Force (Crew & Casts)

Director: Nishikant Kamat
Producer: Vipul Shah
Executive Producer / Co-Producer: Aashin A Shah
Star Cast:
John Abraham As Yashvardhan
Genelia Dsouza As Maya
Vidyut Jamwal As Vishnu
Mohnish Bahl As Atul Kalsekar
Mukesh Rishi As Anna aka Reddy
Kamlesh Sawant As Kamlesh Sawant
Ameet Gaur As Mahesh Pandey
Shashank Shende As Arvind
Ninad Kamat As Vasu
Raj Babbar As Politician
Sandhya Mridul
Anaitha Nair
Kiran Karmarkar

Saheb Biwi Aur Gangster (Crew & Casts)

Director: Tigmanshu Dhulia
Producer: Tigmanshu Dhulia, Rahul Mittra
Star Cast:
Jimmy Sheirgill As Aditya Pratap Singh aka Saheb
Mahie Gill As Madhavi
Randeep Hooda As Lalit aka Babloo
Vipin Sharma As Gainda Singh
Deepraj Rana As Kanahiya
Rajiv Gupta As Minister
Shreya Narayan As Mahuva
Sitaram Panchal As Sundar
Mukesh Tyagi As Jaiswal
Kanika Dang As Saheb's Stepmother
Deepal Shaw

Hum Tum Shabana (Crew & Casts)

Director: Sagar Ballary
Producer: Sunil Chainani, Sameer Srivastava, Subhash Dawar
Executive Producer / Co-Producer: Suresh Vaaswani, Madhu Dawar
Star Cast:
Minissha Lamba As Shabana Raza
Shreyas Talpade As Kartik Iyer
Tusshar Kapoor As Rishi Malhotra
Pia Trivedi As Rhea Dixit
Satish Kaushik As Chacha
Sanjay Mishra As Munna Military
Rahul Singh As Ravi Agrawal
Madhur Bhandarkar As Cameo
Pooja Batra As Cameo
Aditi Govitrikar

Hum Tum Shabana (Songs)

Hey Na Na Shabana

bholi bholi aankhon mein naarazgi hai kyun
meethi meethi baaton mein ye berukhi hai kyun
khoye khoye na raho gumsum raho na yoon
jaan le tu jaan le girl i'm in love with u
hey na na na shabana aise rootho na
hey na na na shabana muskurao na
hey na na na shabaana saja le hoton pe hansi
hey na na na shabaana ban jayegi meri zindagi..
hey na na na ho na na na.. shabana, shabana..
hey na na na ho na na na.. ban jayegi..

suno ji, kahoon main, zamana khota tota
ke meethe bol ye, bol ke dega dhokha
bharosa tu kar le, dil mera sachcha hai ji
pyaar hai sabhi ko, par mera achcha hai ji..
toot-te taare se bas itni hai dua,
mujhe maaf karde jaan,
jo hua so hua shabana..

hey na na na shabana aise rootho na
hey na na na shabana muskurao na
hey na na na shabaana saja le hoton pe hansi
hey na na na shabaana ban jayegi meri zindagi..
hey na na na ho na na na.. shabana, shabana..
hey na na na ho na na na.. ban jayegi..


Kaari Kaari

Kundi khadkaayi, aayi manji vich tu
Boli aan boli aan angrezi vich tu

Kundi khadkaayi, aayi manji vich tu
Boli aan boli aan angrezi vich tu
Dil saade khule reh gaye all night long
Tarse tarse assi ik kiss nu
Sapne che ho gayi meeting, utha toh dekha
Phir saali ho gayi cheating
Oh kaare kaare naino wali kudiyon ne
Na jhappi di na pappi mainu layn di
Oh kaare kaare naino wali kudiyon ne
Na jhappi di na pappi mainu layn di
Oh kaare kaare
Oh kaare kaare
Oh kaare kaare naino wali kudiyon ne
Na jhappi di na pappi mainu layn di

Kaali kaali gutt wali kudi besharam
Le gayi paraande vich dil lutt ke

Kaali kaali gutt wali kudi besharam
Le gayi paraande vich dil lutt ke
Gunde mustandeyan di rakhi sister
Saaleya maareya mainu kutt kutt ke
Dumb thay ji ho gaye cheating
Babhi ne dekha phir saali ho gayi cheating
Nachaaya saari raat mainu ungali te
Na jhappi di na pappi mainu layn di
Oh kaare kaare naino wali kudiyon ne
Na jhappi di na pappi mainu layn di
Oh kaare kaare
Oh kaare kaare
Oh kaare kaare naino wali

Ghoomi jaaye dil haan ji haan ji dil
Cycle da chakka
Ishq manzil door ki koi aake do dhakka
Oh kaare kaare naino wali kudiyon ne
Na jhappi di na pappi mainu layn di
Oh kaare kaare
Oh kaare kaare
Oh kaare kaare naino wali kudiyon ne
Na jhappi di na pappi mainu layn di
Oh kaare kaare naino wali kudiyon ne
Na jhappi di na pappi pappi .. mainu layn di


Musik Bandh Na Karo

Raat ka aakhri gaana
Ho kudiyon jhamke saath nibhana

Ho raat ka aakhri gaana
Ho kudiyon jhamke saath nibhana
Dhoondo na dhoondo bahana
Ke yaaro hum ko toh ghar nahin jaana

Ruk jaaye saansein na rukke tere payr
Nachle tu yaar jaise you don’t freaking care

Ab chaahe yeh raat beet jaaye
Yeh music bandh na karo
Chaahe sara shehar jag jaaye
Yeh music bandh na karo
Ab chahe yeh raat beet jaaye
Yeh music bandh na karo

Ho jeena hai befikar, kal ki kise khabar
Chaahe koi rokegi, party going on

Ho mauke ki hai yeh raat, pyaar ki hogi baat
Chaahe koi tokegi keep the party going on

Ruk jaaye saansein na rukke tere payr
Nachle tu yaar jaise you don’t freaking care

Ab chaahe yeh raat beet jaaye
Yeh music bandh na karo
Chaahe sara shehar jag jaaye
Yeh music bandh na karo
Ab chahe yeh raat beet jaaye
Yeh music bandh na karo

Listen to the beat track, this party's gonna non stop
This music makes me crazy, so large bana de baby
I'm da da dancing move, and get them to the groove
Aaj poori raat hai party coz I ain't got no curfew

Ho jispe teri nazar, uss pe meri nazar
Mujhse rehna tu zara bachke meri jaan

Hey pal mein hogi meri, jo khwaaish hai teri
Meri hi bahoon mein woh aayegi meri jaan
Yaara bhula de tu dil ke saare bayr
Nachle tu yaar jaise you don’t freaking care

Ab chaahe yeh raat beet jaaye
Yeh musik bandh na karo
Chaahe sara shehar jag jaaye
Yeh musik bandh na karo
Ab chahe yeh raat beet jaaye
Yeh musik bandh na karo


Piya Kesariyo

Dhin dhin tanana ..

Chaand sa uss mein noor hai
Kabhi sooraj sa maghroor hai
Naino mein saare, jag ka saroor hai
Piya

Garje bijli sa ang ang, barse megha sa khank khank
Khuda sa kabhi paas tu, khuda sa dil mein
Baari main baari sahib ji
Haari main haari, dil da tujhpe bekhabar
Jiya kesariyo re maaro
Piya kesariyo re maaro
Piya kesariyo re maaro, kesariyo - 4 times

Tum na aaye toh, tham sa jaayega, yeh jiya
Tum na aaye toh, tham sa jaayega, yeh jiya
Ishq mein uske darbadar, kho ke apne hosho khabar
Wohi meri manzil aur wohi rehguzar
Har dhadkan mein woh dhadak dhadak
Mere naino ki woh chamak chamak
Ab toh meri rooh bhi le gaya woh loot kar
Baari main baari sahib ji
Haari main haari, dil da tujhpe bekhabar
Jiya kesariyo re maaro
Piya kesariyo re maaro
Piya kesariyo re maaro, kesariyo - 4 times
Piya piya .. kesariya re maaro ..

Garje bijli sa ang ang, barse megha sa khank khank
Khuda sa kabhi paas tu, khuda sa tu hai


Thank U Mr. DJ

Raaniya hai kinni kahaniyaan
Chhoti-chhoti minniyaan
Get them shake it little show a little ah
Haye Rock n roll, thoda-thoda Hip-Hop jo
Uss pe angrezi bol
Boo boo boo swing do your thing and chose
Na na na nishaana, tujhe pehchana
Pa pa aa aa aas tu aana
Meri nazar bhatke, jaana tujh mein atke
Badey bhaiyya big baja rahe hattke, so say
Thank you Mr. DJ, thank you for this song
Thank you to the baby, for dancing all night long
Thank you Mr. DJ, thank you for this song
Thank you to the baby, for dancing all night long

Main toh hoon sona sona, mujhko tu aise chhoona
It ain't easy take in me dancing to the song, aaja na
Main toh bas sona sona, mujhko tu aise chhoona
It ain't easy take in me grooving to the song

Aaj hai mauka, tujhe toka hai kisne
Maang le khokha, tujhe roka hai kisne baby
Aaj hai mauka, tujhe toka hai kisne
Maang le khoka tujhe roka hai kisne
Aaj dil happy hai (oh ho)
Mast hai peppy hai (oh ho)
Jo dekhe tere jhatke, dil mera aatke
Badey bhaiyya big baja rahe hattke, so say
Thank you Mr. DJ, thank you for this song
Thank you to the baby, for dancing all night long, aaja na
Thank you Mr. DJ, thank you for this song
Thank you to the baby, for dancing all night long, aaja na

Aaj tu khul ke jee le, jhaam masti ke pee le
Only for you I'm gonna be dancing all night long
Aaj tu khul ke jee le, jhaam masti ke pee le
Only for you I'm gonna be dancing all night long (get get grooving)

Kar doon dhamaka, masti mein kho kar main
Daar doon daaka, tere dil ke locker pe baby
Kar doon dhamaka masti mein kho kar main
Daar doon daaka, tere dil ke locker pe
Aaj dil happy hai (oh ho)
Mast hai peppy hai (oh ho)
Jo dekhe tere jhatke, dil mera aatke
Badey bhaiyya big baja rahe hattke, so say
Thank you Mr. DJ, thank you for this song
Thank you to the baby, for dancing all night long, aaja na
Thank you Mr. DJ, thank you for this song
Thank you to the baby, for dancing all night long

Thank you Mr. DJ, aaja na
Thank you Mr. DJ
Lagey na nishaana, tujhpe hai jaana
Meri nazar bhatke, jaana tujh mein atke
Badey bhaiyya big baja rahe hattke

Saheb Biwi Aur Gangster (Songs)

Jugni

Jugni - 8

Jugni Dum Sahib Da Bhardi
Par Eh Pyar Yaar Nu Kardi Oye..

Jugni Dum Sahib Da Bhardi
Par Eh Pyar Yaar Nu Kardi Oye..
Loko Nahi Gulami Jardi
Hayeo Baddal Vangu Vardi…

Veer Meriya Ve Jugni
O Jugni Jugni Jugni Jugni..
Hai Meriya Ve Jugni
O Jugni Jugni Jugni Jugni..

Eh Di Fitrat Vich Teji Eh
Eh Jugni Bari Crazzy He
Oye Oye Hoe Hoe

Jugni - 8
Jugni Tera Lakk Unati
Layi Dekh Husan De Hatti Oye
Jugni Tera Lakk Unati
Layi Dekh Husan De Hatti
Eh He Pure Nakhriyan Patii
Desi Daru De He Matti Oye

Veer Meriya Ve Jugni
O (Jugni) - 4
Hai Meriya Ve Jugni
O (Jugni) - 4
Eh Jugni Bhout Sharmili He
Eh Jugni Machis De Tilli He
Oye - 2 Hoe - 2

Pundi Pair Pair Te Jaalo
Oh Turdi Badal-badal Ke Chalo Oye…
Pundi Pair Pair Te Jaalo
Oh Turdi Badal Badal Ke Chal
Banda Mare Na Pusde Haal
Hove Shuru Jad Ehdi Bhaal Oye
Veer Meriya Ve Jugni
O (Jugni) - 4
Hai Meriya Ve Jugni
O (Jugni) - 4

Veer Meriya Ve Jugni Maghdi Ye
Shatir Naina Nal Thagde He
Oye Oye Hoe Hoe

O (Jugni) - 4
O (Jugni) - 4
Akhan Baran Boor Banduka
Jidar Jave Pendiya Kookan
Akhan Baran Boor Banduka
Jidar Jave Pendiya Kookan
Vadde Vadde Pat Te Shootan
Jhute Nit Isheq De Jhutan Oye

Veer Meriya Ve Jugni
O (Jugni) - 4
Hai Meriya Ve Jugni
O (Jugni) - 4
Eh Jugni Moor Te Khardi Eh
Munde Dekh K Honkee Bharde He
Oye Oye Hoe Hoe

Jugni Jugni Jugni Jugni
Jugni Jugni Jugni Jugni

(Jidar Jave Pen Patake
Asheq Hoe Firde Kake
Baiyya Eh Tedhi Akkh Nal Jhake
Sabh Nu Jave Rrag Lada Ke) - 2

Veer Meriya Ve Jugni
O (Jugni) - 4
Hai Meriya Ve Jugni
O (Jugni) - 4
Veer Meriya Ve Jugni Hasdi Eh
Eh Naggan Vangu Dasde He
Oye Oye Hoe Hoe

Jugni- 8
Ne Jadd Chare Jattan De Dhakke
Rulde Badshee Te Zakke Oye
Oh Yeh Pind Mordi Nakke
Oh Jugni Vhondi Firde Khakke
Veer Meriya Ve Jugni
O (Jugni) - 4
Hai Meriya Ve Jugni
O (Jugni) - 4

Eh Jugni Bhout Albeli Eh
Manna De Purani Cheeli He
Oye Oye Hoe Hoe

(O Jugni Oye) - 4


Chu Chu

Chu - 3
(Churi - 3 Chu - 4 ) - 2
Chururu Churu Churu…

Offo.. Dil Hai Pyasa
Ab Samajh Bhi Jao
Mere Dil Ki Bhasha
Varna Dil Karega
Ek Naya Tamasha
Tu Nahi Toh
Aur Bhi Hai
Samajh Bhi Jaa.. Ooho..

Offo.. Dil He Pyaasa
Keh Na Kya Tha
Keh Gaya Ye Bewaja Tha
Hum Tumhare Bin
Na Jee Sake Zara Sa
Tu Meri Zindagi Hai… Chu Chu

Tumse Hai Ye Iltija Hai
Woh Phir Se Na Ho
Tu Hamare Sang Hua Hai
Bas Ek Pyar Hi Toh Hai
Jo Darmian Hai
Tumhi Se Meri Yes..
Zaroorat Hai Pyar Ki Chu Chu

Humne Samajh Liya Yeh
Jo Pyar Na Ho
Zindagi Yeh Bewaja Hai
Bas Ek Tum Hi Se
Saari Khwahishen Jawan Hai
Tumhi Ne Meri Yes..
Yeh Zindagi Sawar Di Hi Hi…

Offo.. Dil Hai Pyasa
Ab Samajh Bhi Jao
Mere Dil Ki Bhasha
Varna Dil Karega
Ek Naya Tamasha
Tu Nahi Toh
Aur Bhi Hai
Samajh Bhi Jaa..
Ooo..ho..

Offo.. Dil He Pyaasa
Keh Na Kya Tha
Keh Gaya Ye Bewaja Tha
Hum Tumhare Bin
Na Jee Sake Zara.. Sa
Tu Meri Zindagi.. Hai.. Zindagi..

O.. Chu - 3
(Churi - 3 Chu - 4 ) - 2
Churururu Ruru…o… Chu Chu


Main Ek Bhanwra

Huun…
Main Ek Bhanwra
Chote Baki Cheeka
Maine Yeh Kya Kar Dala
Jungle Se Aati
Kushboo Lafak Ne
Gaya Ho Gaya La Patha

Kya Banuunga
Main Ek Din Sitara
Ya Rahunga
Main Bechara

Main Ek Bhanwra
Chote Baki Cheeka
Maine Yeh Kya Kar Dala

Ek Din Main Nikla Hadon Se
Ulja Kisi Ki Laton Se
Uski Nazar Ki Thamak Se
Chundiya Gaya Main Chamak Se
Ruhosh Maine Gawaya
Kuch Bhi Samajh Mein Na Aaya
Udhna Main Bhool Gaya
Pankhon Se Nikli Hawa

Ho Aisa Sabaya
Ke Man Mein Samaya
Haan Mujhko Pyar Hua

Main Ek Bhanwra
Chote Baki Cheeka
Maine Yeh Kya Kar Dala

Kahan Aa Gaya Mein Kahan Se
Bekhud Hua Do Jahan Se
Ab Sochna Bhi Mana Hai
Bechainiya Duguna Hai
Khud Se Hi Dil Poochta Hai
Karoon Kya Kuch Soojh Tha Hai
Itna Samajh Mein Hai Aaya
Mere Sang Nahi Mere Saya

Maine Khaya Paya
Kya Maine Gawaya
Haan Maine Ki Ghaltiya... Main Ek Bhanwra


I Love To Love You

check - 2
hello mike testing 1,2,3

meri pyaas badi
hai rajaji
kuan khudva do
kuan khudva do

ho meri pyaas badi
hai rajaji
kuan khudva do
kuan khudva do

na khud paaye
to le lo meri rai
nalka lagva do
nalka lagva do

nalke mein ho paresaani
to aisa kardo jaani
oye hoye jaani

nalke mein ho paresaani
to aisa kardo jaani
(saawan mangwa do) - 2

eh bolo
(I love to love you baby) - 2
arre bolo
(I love to love you baby) - 2

(aisa saawan mangwana) - 2
jo barse baaro vaasi

bheege ayise tarah eh jamana
ke pyaas rahe kuch baki
(arre pyaas rahe kuch baki) - 2

bachi hui pyaas ko
tum hi bujhana
haaye

bachi hui pyaas ko
tum hi bujhana
to fir gunjega
bus yehi tarana

(I love to love you baby) - 2
hey I love to love you baby
arre bolo
I love to love you baby

hey…
rangeeli gori…

eh rangeeli gori,
tera sajan rangeela re…

hey
eh rangeeli gori,
tera sajan rangeela re…
kaisi mil aayi ye jodi
ho rama
kaisi milayi ye jodi

demand badi
hai chhotti si
poori karva do
poori karva do

demand badi
hai chhotti si
poori karva do

poori na kar paaye
to dungi bad-duwayein
(saiyaan mangwa do) 2

saiyaan na mil paye
to kar do ye upaaye
haaye

saiyaan na mil paye
to kar do ye upaaye
tum hi apna lo

arre bolo
(I love to love you baby) - 3
arre bolo
I love to love you baby


Raat Mujhe

Raat Mujhe Yeh Keh ke Chidhaye

Taaron se bhari mein Tu hai Akeli Haaye
Kanon se mein jali jali jaoun
Aaj rukun to Bali Jaoun

Raat Mujhe Yeh Keh ke Chidhaye Haaye

Kya Kahun
Bolo Na
Kya Kahun Bolo na
Kya sunu bolo Na

Raaton ki Harkaton ko tum bhi samjho Raat
Baaton Ki Harkaton ko tum bhi samjho Raat
Saaitaniya Yeh Oz dikhaye
Aisa kuch karo Ki Raat lajaye

Raat Mujhe Yeh Keh ke Chidhaye
Taaron se bhari mein Tu hai Akeli Haaye

Kya Kahun Bolo Na
Kya Kahun Bolo na
Kya sunu bolo Na

Iss Dil ki Karwaton ko tum bhi samjho Raat
Saanson ki Hasraton ko tum bhi samjho raat
Baitabiyan Raat jagayen
Aisa Kuch karo ki Hosh ud Jaye

Raat Mujhe Yeh Keh ke Chidhaye
Taaron se bhari mein Tu hai Akeli Haaye

Keh do iss Yeh Na ittraye
Kal jo aaye To Sir Ko Jhukaye

Raat Mujhe


Saheb Bada Hatila

Kissa Yeh... Kaise... Bataye
Kissa Yeh... Aissa Kaise Chupaye
Rida Nissa Nissa…..

(Ek Saheb Bada Hatila
Aur Biwi Badi Rangeeli
Sahab Kuch Tunak Mein Jaa
Biwi Jo Ki Bhadkili) - 2

(Ho..
Ek Banka Chail Chabeela
Ban Ke Toofan Takraya
Phir Usne Chakma De Karr
Ungli Pe Sab Ko Nachaya) - 2
Hai Ajab Sa Chakkar

(Chale Aise Jaadu Tone
Dikhe Aise Bhole Bhole
Paap Jata
Kitne Ka
Dhoke Baaji Khaye Dhoke..
Tauba) - 2

Chale Dhadak Doom Dham Bane
Kho Gaye Kitne Mattiyan Mein Ti

Ho..chale Dhadak Doom Dham Bane
Kho Gaye Kitne Mattiyan Mein Ti
Bane Sarathi Maharathiji
Bhunu Peeye Hai
Har Bhar Ke T

Amay Saja Tak
Amay Fata Fat
Samaya Nipat Ke La
Amay Saja Tak
Amay Thada Thad
Samaya Simakte La

(Chale Aise Jaadu Tone
Dikhe Aise Bhole Bhole
Paap Jata Kitne Ka
Dhoke Baaji Khaye Dhoke..
Tauba) - 2

(Ek Saheb Bada Hatila
Aur Biwi Badi Rangeeli
Sahab Kuch Tunak Mein Jaa
Biwi Jo Ki Bhadkili) - 2

(Ho..
Ek Banka Chail Chabeela
Ban Ke Toofan Takraya
Phir Usne Chakma De Kar
Ungli Pe Sab Ko Nachaya) - 2

He Ajab Sa Cheher
Chale Aise Jaadu Tone
Dikhe Aise Bhole Bhole
Paap Jata
Kitne Ka
Dhoke Baaji Khaye Dhoke..
Tauba..

(Chale Aise Jaadu Tone
Dikhe Aise Bhole Bhole
Paap Jata
Kitne Ka
Dhoke Baaji Khaye Dhoke..
Tauba) - 2


We Ankhian

ve ankhiyan to bhull hoyi
pyaar kar baithi haan

ve ankhiyan to bhull hoyi
pyaar kar baithi haan

dokhebaaza tera
itbaar kar baithi aan

ve ankhiyan to bhull hoyi
pyaar kar baithi haan

ve ankhiyan to bhull hoyi
pyaar kar baithi haan

jaandeya bujhdeya
ishq diyaan vaariyaan

ve jaandeya bujhdeya
ishq diyaan vaariyaan

ve khaure kehri gall
ik vaar kar baithi haan

dokhebaaza tera
itbaar kar baithi aan

ve ankhiyan to bhull hoyi
pyaar kar baithi haan

jaddon diyaan laggiyaan
tere naal ankhiyan

ve jaddon diyaan laggiyaan
tere naal ankhiyan

dil naal dilaan da main
vapaar kar baithi haan

dokhebaaza tera
itbaar kar baithi aan

ve ankhiyan to bhull hoyi
pyaar kar baithi haan

ve ankhiyan to bhull hoyi
pyaar kar baithi haan

dokhebaaza tera
itbaar kar baithi aan

we ankhiyan to bhull hoyi
pyaar kar baithi haan